Værker af P.S. Krøyer
Dette er en autogenereret liste over værker af P.S. Krøyer ud fra data i Wikidata.
Peder Severin Krøyer (født 23. juli 1851 i Stavanger; død 20. eller 21. november 1909 i Skagen) var en dansk maler – og en af de danske Skagensmalere. Han blev født i Norge, men voksede op hos sin moster i København. Onklen var den danske zoolog Henrik Nikolaj Krøyer.
Initialerne P.S. stod for Peder Severin; han blev kaldt Søren af sine venner. Krøyers signatur var ofte S K. Hans værker er blandt de dyreste danske malerier på auktion, adskillige har opnået priser over en million kroner.
Hvis et eller af flere af værkerne står med Q-nummer, er du mere end velkommen til at tilføje værkets danske titel på Wikidata.
Denne liste bliver periodisk opdateret af en bot. Manuelle ændringer ved listen bliver fjernet ved næste opdatering!
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Professor i zoologi, Japetus Steenstrup holder foredrag.jpg
P.S. Kroeyer (1851-1909), Professor of xoology Japetus Steenstrup, giving a talk, 1895. Study for Krøyer's painting from 1897 (Christensen 598)).
P.S. Kroeyer (1851-1909), Professor of xoology Japetus Steenstrup, giving a talk, 1895. Study for Krøyer's painting from 1897 (Christensen 598)).
P.S. Krøyer, Studie af tændte lys i stager, 1896, Skagens Kunstmuseer.jpg
This is a study for the painting (Christensen 598) made in 1897.
P.S. Krøyer, skitse til Et Møde i Videnskabernes Selskab, 1896 ,KMS3708, Statens Museum for Kunst.tif
Forfatter/Opretter: P.S. Krøyer, Licens: CC0
Forfatter/Opretter: P.S. Krøyer, Licens: CC0
Interior by P. S. Kroeyer, 1896.jpg
This is a study for the painting (Christensen 598) made in 1897.
P.S. Krøyer, Et møde i Videnskabernes Selskab, 1897, Det Kongelige Danske Videnskaberners Selskab.jpg
P.S. Krøyer's painting of A meeting in the Royal Danish Academy of Sciences and Letters
P.S. Krøyer's painting of A meeting in the Royal Danish Academy of Sciences and Letters
Peder Severin Krøyer - Tærskning i Abruzzerne. Pastel - 1890.jpg
This is a pastel corresponding to the oil painting in Statens Museum for Kunst, Copenhagen, also from 1890.
Peder Severin Krøyer - Portræt af Pauline Drucker. Studie.png
The experts at Bruun Rasmussen wrote that this was a study for Krøyer's 1883 portrait of Pauline Drucker (privately owned).
Kroyer Marie og Vibeke haeklende i hjemmet ved Skage plantage 1898.jpg
Watercolour by the Norwegian-born Danish artist P.S. Krøyer titled Marie og Vibeke hæklende i hjemmet ved Skagen Plantage (Marie and Vibeke embroidering in our home in Skagen Plantage).
Watercolour by the Norwegian-born Danish artist P.S. Krøyer titled Marie og Vibeke hæklende i hjemmet ved Skagen Plantage (Marie and Vibeke embroidering in our home in Skagen Plantage).
Peder Severin Krøyer - Strandstudie - 1889.png
The experts at Bruun Rasmussen wrote that Krøyer made a similar study while at Stenbjerg in Denmark in August 1889. They assumed that this one was made at the same location.
Study Hip hip hurra.jpg
Study for Hip hip hurra!
Study for Hip hip hurra!
Peder Severin Krøyer - Portræt af Otto Diderich Ottesen - 1873.png
When he was just 21, Krøyer was asked by the exhibition committee of the Charlottenborg Exhibition to make a portrait of Otto Diderich Ottesen, who was a very prominent flower painter at the time. Source: Peter Michael Hornung, Peder Severin Krøyer, page 35-36.
Hip, Hip, Hurrah! Artists’ Party, Skagen (Peder Severin Krøyer) - Gothenburg Museum of Art - F 62.tif
(c) Göteborgs konstmuseum (Gothenburg Museum of Art). Photo: Hossein Sehatlou, CC BY 4.0
(c) Göteborgs konstmuseum (Gothenburg Museum of Art). Photo: Hossein Sehatlou, CC BY 4.0
Midsummer Eve bonfire on Skagen's beach - P.S. Krøyer - Google Cultural Institute.jpg
The painting includes many of the Skagen Painters: Krøyer's daughter Vibeke, mayor Otto Schwartz and his wife Alba Schwartz, Michael Ancher, Degn Brøndum, Anna Ancher, Holger Drachmann and his 3rd wife Soffi, the Swedish composer Hugo Alfvén and Marie Krøyer.
Peder Severin Krøyer - Siddende brun Hund, set fra Ryggen, Rap - 1892.png
This is one of three known studies for Krøyer's painting of his wife Marie at the beach (Christensen no. 499). See "Other versions".
P.S. Krøyer, Industriens Mænd, 1903-1904, Det Nationalhistoriske Museum på Frederiksborg.jpg
"Industriens Mænd" (The Men of Industry), painting by P.S Krøyer commissioned by Gustav Adolph Hagemann. Since 1958 in the collections of Frederiksborg Museum.
"Industriens Mænd" (The Men of Industry), painting by P.S Krøyer commissioned by Gustav Adolph Hagemann. Since 1958 in the collections of Frederiksborg Museum.
Peder Severin Krøyer - Skudte harer - 1898.png
This is a study for Krøyer's 1898 painting Skagens Jægere (Hunters of Skagen), now at ARoS, Aarhus. See "Other versions".
Studie af en kvinde fra Arildsläge i højtidsdragt.jpg
Krøyer made a number of similar paintings, but based on the size given in Christensen's list, this is thought to be number 61.
Peder Severin Krøyer - Arbejdere på et værtshus i Luchon. Studie - 1878.png
This was a study for Krøyer's larger painting of the same scene.
Peder Severin Krøyer - Modelstudie, brystbillede af nøgen herre en face - 1877.png
Krøyer attended the painting school of Léon Bonnat in two spells between 1877 and 1879.
Peder Severin Krøyer - Fiskerpige i klitterne - 1874.png
Krøyer spent his summers in Hornbæk 1873-1876.
Peder Severin Krøyer - Fiskere ved Stokken i Hornbæk.png
From the auction notes: “Stokken” in Hornbæk was a gathering place for the town's fishermen and consisted of a few primitive wooden benches well sheltered, from which you could keep an eye on everything and everyone. In 1875, P.S. Krøyer painted his very first group portrait entitled “Fishermen at Stokken in Hornbæk” (oil on canvas, 109×153 cm, private collection). He began preparatory work for the painting as early as 1873 and carried out a whole series of studies for the final composition, which depicts nine fishermen gathered at the benches after the day's work. The present drawing is not completely identical to the painting, but is presumably a compositional study it.
Peder Severin Krøyer - Norsk Landskab. Skizze til Baggrunden i Bjørnsons Portræt - 1901.png
Krøyer portrayed the Norwegian author Bjørnstjerne Bjørnson in 1901. This one of two known studies for the painting, showing the view from Bjørnson's home in Aulestad, Norway.
Peder Severin Krøyer - En Hornbækfisker. Hel Figur staaende i en Baad. Studie - 1876.png
From the auction notes: The present painting is a study for the painting “Hornbækfiskere paa Sildefangst. Tidlig Morgen” (Fishermen from Hornbæk fishing for herring. Early morning) from 1877, this one no. 157 in H. Chr. Christensen's catalogue raisonné. See "Other versions".
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Skagens Jægere (Til Dahlerup fra Krøyer).jpg
Skagens Jægere. I billedets nederste venstre hjørne står der: “Til Dahlerup fra Krøyer”
Skagens Jægere. I billedets nederste venstre hjørne står der: “Til Dahlerup fra Krøyer”
Peder Severin Krøyer - Selvportræt. Brystbillede med lys Filthat - 1898.png
This portrait was one of the studies for Krøyer's painting of a group of men from Skagen resting during a hunt.
Peder Severin Krøyer - Fisker, set forfra, hvilende i Sandet med Brystet mod Armene. Studie - 1883.png
This is one of seven studies for Krøyer's 1883 painting of fishermen on Skagen beach (With numbers by Christensen, 303 to 309).
Peder Severin Krøyer - Skagen plantage - 1908.png
From the auction notes: Viggo Lachmann (1864–1928) married Engel Cathrine Saxild (1885–1966) on 2 July 1909, she was the daughter of master baker Saxild in Skagen. She was a real Skagen girl and best friend with Helga Ancher (1883–1964) and several times used as a model by both Anna (1859–1935) and Michael Ancher (1849–1927). As the date indicates, the painting has probably been a wedding present.
Peder Severin Krøyer - Læsende ung kvinde - 1885.jpg
In Christensen's list, the painting is called Dameportræt i Profil. Studie (Portrait of a woman in profile. Study).
Peder Severin Krøyer - Sensommeraften i haven foran Krøyers hus i Skagen.jpg
The experts at Bruun Rasmussen read the year as either '93 or '99.
Portrait of H. N. Kroeyer, 1868.jpg
P.S. Kroeyer (1851-1909), Portræt af zoologen, professor H.N. Kroeyer, kunstnerens plejefader, 1868
P.S. Krøyer, Christoffers Hus i Skagen. Maanelys Midsommeraften, 1885.png
Krøyer had made a very similar painting of the house in 1884.
P.S. Krøyer, 1896, Portrætgruppe, Kms1570, Statens Museum for Kunst.jpg
Forfatter/Opretter: P.S. Krøyer , Licens: CC0
Forfatter/Opretter: P.S. Krøyer , Licens: CC0
This is a study for the painting (Christensen 598) made in 1897.
P.S. Krøyer - Middagsselskab i Wiesbaden - 1904.png
In September 1904, Krøyer travelled to the spa town of Wiesbaden for treatment. His letters and paintings from the time portray him as being in a rather exalted state, as described in Peter Michael Hornung, Peder Severin Krøyer, 2002 pp. 344-349.
Peder Severin Krøyer - Rigmor Kjær i blå kjole med hvid kniplingskrave og guldbroche - 1891.png
Rigmor Kjær (1869-1948) was the daughter of Anna Caroline Andrea Ancker and Peter Bernhard Kjær. In 1893 she married Ivar Kristian Wibroe Nyholm (1867-1947). Krøyer portrayed members of the family a number of times.
Peder Severin Krøyer - Christoffers Hus. Henad Aften - 1884.png
This is the title used by Christensen. The experts at Bruun Rasmussen spelled the house owner with a K.
Krøyer repeated this scene the following year in larger format (Christensen 346).
Krøyer repeated this scene the following year in larger format (Christensen 346).
Peder Severin Krøyer - Profilportræt af Marie Krøyer - 1903.png
There was also a dedication on the drawing, but too faint to be readable.
Peder Severin Krøyer - Morning at Hornbæk. Men and women bargining - Google Art Project.jpg
This is one of the studies for the painting Morgen ved Hornbæk (Morning at Hornbæk), also from 1875 (Christensen 146).
Peder Severin Krøyer - Ferdinand Theodor Rée - 1883.png
Krøyer made two drawings as a set 1883. The experts at Bruun Rasmussen thinks that this one shows Ferdinand Theodor Rée and the other one his wife, Gerhardine Rée. F.T. Rée died in 1879, so Krøyer made the drawing after a photo, as stated in the inscription. The lot contained both drawings.
Et sardineri i Concarneau.jpg
P.S. Kroeyer (1851-1909), Et sardineri i Concarneau, 1879
P.S. Kroeyer (1851-1909), Et sardineri i Concarneau, 1879
Civita dantino kroyer frokost.jpg
Painting by the Norwegian-born Danish artist P.S. Krøyer titled Ved frokostborder i Civita d'Antino (At the Lunch Table in Civita d'Antino). The scene at Kristian Zahrtmann's lodgings in Casa Cerroni includes (from left) Marie Krøyer, P.S. Krøyer, the young painter Henry Lørup, an Italian waitress, Zahrtmann and the painter Peter Tom-Petersen. (Source: Peter Michael Hornung, Peder Severin Krøyer, 2005, page 240.
Painting by the Norwegian-born Danish artist P.S. Krøyer titled Ved frokostborder i Civita d'Antino (At the Lunch Table in Civita d'Antino). The scene at Kristian Zahrtmann's lodgings in Casa Cerroni includes (from left) Marie Krøyer, P.S. Krøyer, the young painter Henry Lørup, an Italian waitress, Zahrtmann and the painter Peter Tom-Petersen. (Source: Peter Michael Hornung, Peder Severin Krøyer, 2005, page 240.
Peder Severin Krøyer - Fru Marie Krøyer i Haven paa Skagen - 1892.png
The experts at Bruun Rasmussen singled this painting out as a clear example of Krøyer being influenced by impressionist painters. They cited the resemblance to Claude Monet's 1873 painting of women and children in a puppy field near Argenteuil.
Peder Severin Krøyer - Nannina, En neapolitansk blomstersælgerske. Studie - 1880.png
This was a study for Krøyer's painting from the same year, now at the Hirschsprung Collection (Inv. No. 207) in Copenhagen.
P.S. Krøyer, Franske skovarbejdere i hulvej, 1879, RKMm0492, Ribe Kunstmuseum.jpg
Forestiers français de retour du travail
Peder Severin Krøyer - Portræt af Holger Drachmann - 1896.png
The lot contained two silhouette drawings by Krøyer.
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En duet. (1887 painting).jpg
Miss Beatrice Dietrichsen and the painter Vilhelm Rosenstand in a duet, accompanied by Mrs Vilhelmine Bramsen at the piano. Seen at the front - with her back to the viewer - is Miss Marie Triepcke. Krøyer wanted her to sit for him, and this is his first painting of her. (Source: Peter Michael Hornung (2005): Peder Severin Krøyer, page 229.)
Peder Severin Krøyer - Udsigt mod Gammelholm med Nikolaj tårn i baggrunden. Lys sommeraften - 1867.jpg
Krøyer repeated this view (from his window) in different weather settings.
Krøyer repeated this view (from his window) in different weather settings.
'Copenhagen; Roofs under the Snow' by Peder Severin Krøyer.JPG
This is probably Udsigt fra Christianshavn mod Nikolai Taarn. Marts. ("View from Christianshavn toward Nicolai Tower. March.") from March 1871. It has number 43 in Christensen's book and dates from March 1871. Only point is that Christensen gives its dimensions slightly smaller (16 x 19)
Peder Severin Krøyer - Ved Civitas stadport - 1890.png
Marie and P.S. Krøyer came to Civita d'Antino in June 1890 as part of their extensive honeymoon travels. They visited the Danish painter Kristian Zahrtmann, who had lodgings with the Cerroni family, just at the gate. Krøyer made a number of paintings during their stay.
Peder Severin Krøyer - Aftenlandskab med huse og popler, måneskin - 1899.png
At the 2005 auction, the experts from Bruun Rasmussen assumed that Krøyer found this view in France.
Peder Severin Krøyer - Bro over klippekløft. To ridende figurer. Ronda - 1878.png
From the auction notes: Krøyer travels to Spain in February 1878 and stays there until the beginning of September. From 7 to 11 April, he stays in Ronda. Peter Michael Hornung, “Peder Severin Krøyer”, 2002 p. 82 cites a letter P.S. Krøyer wrote home to his mother about his journey to Ronda on a mule (in Danish): “It was a magnificent journey over the mountains, all on horseback or on mules, with two drivers with the luggage, a 2-day trip, somewhat difficult to sit for so long on horseback, but we saw the most lush valleys, large wild mountain landscapes up on the heights and only recently became acquainted with Spanish folk life, really natural and unspoiled, especially in a small, really old robber town, where we spent the night in the hostel in the same place”. Hornung writes on pp. 83–84 about Krøyer's experiences in Ronda. Krøyer was enthusiastic about the town. He described it thus (in Danish): “Ronda is an extremely picturesque mountain town from the time of the Moors, beautifully situated...”. During the stay, Krøyer painted two small paintings, the present painting dated 10 April and “Klippekløft med vandfald” (Rock gorge with water fall), dated 9 April. The latter at The Art Museums of Skagen (Inv. No. 1500).
Peder Severin Krøyer - Neruda Kvartetten. Skitse - 1886.png
This is one of four studies (Christensen 363-366) Krøyer made for his large painting of the Neruda Quartet playing in his Studio in Copenhagen.
Krøyer Komiteen for den franske Kunstudstilling i København 1888.jpg
This is a study for the (much larger) 1890 painting in the Carlsberg Museum.
Peder Severin Krøyer - Portræt af Dagny Bjørnson Langen - 1901.png
Krøyer celebrated his 50th birthday on July 23, 1901 in Bjørnesjerne Bjørnson's home at Aulestad. Among those present that summer was the youngest Bjørnson daughter Dagny, then married to the German publisher Albert Langen.
Portræt af lensgrevinde Lillie Suzanne Raben-Levetzau.jpg
This is a study for the portrait of Lillie Suzanne Raben-Levetzau (Christensen 672), made later in 1899.
Marie kroyer malt in ravello.jpg
Marie in the garden at Skagen (1892) Oil on panel
Marie in the garden at Skagen (1892) Oil on panel
_and_his_wife_Anna%2c_born_N%c3%a6ser_(1849-1934)%2c_1885%2c_0088NMK%2c_Nivaagaards_Malerisamling.jpg)
Skagens jægere Studie.jpg
Skagens jægere Studie
Skagens jægere Studie
En lille pige, Helga Melchior, i lang kjole.jpg
This is a study for a larger portrait of Helga Melchior, done in 1898.
Peder Severin Krøyer - Fire Børn ved Frokosten - 1877.png
In the mid 1870s Krøyer was busy delivering portraits. This one was ordered by the merchant and etatsråd Bernhard Kjær (born 1837). Krøyer had portrayed both Mrs. and Mr. Kjær in 1875 and now it was the children's turn. The four are Regnar, Rigmor, Ingrid and Astrid. Source: Peter Michael Hornung, Peder Severin Krøyer, page 37.
Peder Severin Krøyer - Fisker haler nettet ind på Skagens Nordstrand. Studie - 1883.png
This is a study for Krøyer's painting Fiskere trække våd på Skagens Nordstrand. Sildig eftermiddag, now at Skagens Museum. It is not among the three studies mentioned by Christensen (no. 295-297), but is obviously connected.
Peder Severin Krøyer - Sophus Schandorph i silhouet - 1896.png
The lot contained two silhouette drawings by Krøyer.
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P. S. Krøyer - En Flok Drenge ude i det solglitrende Vand (1892).jpg
In the Catalogue Raisonné with the title: "En Flok Drenge ude i det solglitrende Hav. Inde ved Strandkanten er tre, og paa Sandet en Dreng i Løb ud mod de andre" (A group of boys in the glinting water. Three on the beach and one in the sand running towards the others).
Peder-severin-krøyer-skuespillerinde-ved-det-kgl.-teater-fru-emma-thomsen-i-kostume.jpg
Skuespillerinde ved det kgl. Teater Fru Emma Thomsen i kostume (Actress at the Royal Danish Theatre Emma Thomsen in costume), painting by by P.S. Krøyer, oil on canvas< 74 x 48 cm
Skuespillerinde ved det kgl. Teater Fru Emma Thomsen i kostume (Actress at the Royal Danish Theatre Emma Thomsen in costume), painting by by P.S. Krøyer, oil on canvas< 74 x 48 cm
Peder Severin Krøyer - Portræt af Julie Reinhard, née Vett - 1893.png
Julie Vett (1872-1959) was the daughter of Caroline and Emil Vett, a leading Danish businessman. In 1896 she married the naval officer Kay Reinhard (1871-1928), who later went into business and became managing director of the shipping company DFDS.
Peder Severin Krøyer - Fiskere ved Stokken i Hornbæk - 1875.png
This was Krøyer's first group painting, and he put a lot of effort into studies of the participants from 1873 until finishing it in 1875. Sadly, only this black and white copy is available at the time. Source: Peter Michael Hornung, Peder Severin Krøyer, page 42-45.
Peder Severin Krøyer - Fra Skagen Sønderstrand - 1883.png
Krøyer gave this painting to Holger Drachmann as a gift on his 60th birthday. On the lower left side he added the text, Til H.D. fra S.K. 9. Oct 1906.
P. S. Krøyer - Wessel & Vett.jpg
A portrait study of Theodor Wessel and Emill Vett by P. S. Krøyer for his monumental oil on canvas painting Fra Københavns Børs. Oil on canvas. 132 x 93 cm. Owner: Magasin du Nord Fonden.
A portrait study of Theodor Wessel and Emill Vett by P. S. Krøyer for his monumental oil on canvas painting Fra Københavns Børs. Oil on canvas. 132 x 93 cm. Owner: Magasin du Nord Fonden.
Peder Severin Krøyer - Portrait of Georg Brandes lecturing - Google Art Project.jpg
This is a study for the larger painting in the National Collection. Christensen gives the production year as 1900.
Michael Ancher vender hjem fra jagten.jpg
Michael Ancher vender hjem fra jagten - forstudie til et større billede, der er i privateje
Michael Ancher vender hjem fra jagten - forstudie til et større billede, der er i privateje
P.S. Krøyer, Marie i haven, 1895.jpg
Krøyer made a study of the garden, also in 1895. See "Other versions".
Peder Severin Krøyer - En smedesvend. Hel figur, set fra ryggen. Studie - 1873.png
From the auction notes: The painting is a study for no. 128 in the Catalogue Raisonné entitled “Fra Smedien i Hornbæk” (From the smithy in Hornbæk) from 1875 with the measurement 91×119 cm in The Hirschsprung Collection (Inv. No. 224). See "Other versions".
Aftenselskab. To staaende Figurer. Carl Jacobsen og A. P. Weis , 1888.jpg
Aftenselskab. To staaende Figurer. Carl Jacobsen og A. P. Weis , 1888
Aftenselskab. To staaende Figurer. Carl Jacobsen og A. P. Weis , 1888
Peder Severin Krøyer - Interiør - 1872.png
An early work by Krøyer. Not mentioned in Christensen's list of his paintings.
Peder Severin Krøyer - Portræt af Octavius Hansen - 1903.png
Octavius Thomas Hansen (1838-1903) was a Danish lawyer and politician. This work is a study from 1903 - the year Hansen died - and that may be the reason why there is no finished portrait.
Peder Severin Krøyer - Blomstrende nerier. Solskin. Capri - 1896.png
Kræyer also made a smaller version of this view. See "Other versions".
Peder Severin Krøyer - Elen Cecilie Gjesdahl - 1869.png
She was Krøyer's biological mother, but her mental instability prevented her from raising him, so her sister's family in Copenhagen took him in.
She was Krøyer's biological mother, but her mental instability prevented her from raising him, so her sister's family in Copenhagen took him in.
Peder Severin Krøyer - Portræt af Rigmor Krag - 1894.png
The painting was commissioned by Rigmor Krag's father, who paid 1,500 DKK for it. The girl might be Rigmor Charlotte Christiane Krag (1890-1938), daughter of Frederikke Louise Stilling (1855-1927) and Peter Rasmus Krag (1840-1929).
Bjørnstjerne Bjørnson by Peder Severin Krøyer.jpg
Forfatter/Opretter: P.S. Krøyer , Licens: No restrictions
Forfatter/Opretter: P.S. Krøyer , Licens: No restrictions
Identifier: internationalstu10newy08 (find matches)
Title: International Studio an Illustrated Magazine of Fine and Applied Art
Year: 1908 (1900s)
The painting is from 1901
Authors:
Subjects:
Publisher: New York. John Lane Co
Contributing Library: Brigham Young University-Idaho, David O. McKay Library
Digitizing Sponsor: Brigham Young University-Idaho
View Book Page: Book Viewer
About This Book: Catalog Entry
View All Images: All Images From Book
Click here to view book online to see this illustration in context in a browseable online version of this book.
Text Appearing Before Image:
before the Danish Society of Science isimbued with an almost solemn dignity. Thegrouping is excellent, the likenesses capital, thediffusion of the hght from the huge chandeliersdone with the utmost skill. Surely one rarelysees so many admirably individualised portraits onone canvas, in addition to which the bearing of thewhole picture is most complete and harmonious.This, perhaps, is one of Kroyers greatest gifts : thepower to endow a figure or a number of figureswith an unmistakable, a perfect individuality.Thus, in his picture (one of his best, I consider)of the committee of a French exhibition inCopenhagen, many of the likenesses are almostideal, and so full of life and verve that one feelsquite instinctively that it is an assembly of pro-minent Frenchmen. How easy and naturally ^. \ ■-■ iU ^M i 1 1 IP 1- ^^^^KTIW^ ■ MEM^^^^^K- i S \ ^tti 1 r <» P 1 ^ i 1 li3l-«i 1 1 ^H mi / i v^ V m A Jm i ^ ^^ ^ ^f • ^ * 1 ■ ^^^^ P* ^ fH^hHI THE TRADESMEN S BOOTH 34 BY P. S. KROYER
Text Appearing After Image:
Portrait of Bjørnstjerne Bjørnson by Peder Severin Krøyer p. S. Krdyer, Danish Painter they sit at the table, how illusionary the blendingof the double light, and what an indescribablefestivity pervades the entire scene ! Kroyer has perpetuated a number of interestinggatherings and functions, amongst them the crowdeddinner table at hospitable Aulestad, BjornstjerneBjornsons home on the Gaus Valley, and others.Mme. Bjornson did not exactly think it necessaryto display her ear-trumpet, but Kroyer, thinking itquite belonged to her, and that it would not quitebe she without it, insisted upon depicting her withit. From the same date hails the striking portraitof Bjornstjerne Bjornson, the great Norsemanstanding out like a chieftain against the picturesqueslopes that surround his home. Bjornson hasbeen painted times innumerable—five or six timesby von Lenbach, for instance—but Kroyers power-ful picture ranks high amongst them all. Although there have been no sudden revolu-tionary changes in Kr
Note About Images
Peder Severin Krøyer - Studie til portræt af Holger Drachmann - 1908.png
When Holger Drachmann died in 1908, the Museum at Frederiksborg commissioned Krøyer with a portrait of him. Krøyer could just have repeated his 1895 portrait, but instead he looked at his neighbour. The dune warden Ole Kristoffersen had exactly the same stature as the late poet. Tall, with somewhat narrow shoulders, blue eyes and a white beard. In the attic of the mayor's house in Skagen stood Drachmann's trunk with all his clothes, and they fitted Kristoffersen neatly. The result was a portrait of Kristoffersen that Krøyer gave an uncanny likeness to Drachmann by adding his facial features including the well known stare into infinity, and it became the basis of the similarly sized portrait.
Peder Severin Krøyer - Badende dreng - 1892.png
This is one of the eight known studies (Christensen no. 502-509) for Krøyer's painting of bathing boys (Christensen no. 510), which disappeared around World War II.
Peder Severin Krøyer - Mikkel Vibes Gaard - 1871.png
This was Krøyer's view from his foster parents' appartment.
This was Krøyer's view from his foster parents' appartment.
Peder Severin Krøyer - To Brødre. Portrætskizze til Drengeportræter af Jørgen og Tyge Bendix. Hele Figurer - 1899.png
This is a study for Krøyers portrait of the two Bendix brothers (Christensen no. 634). Jørgen was born in 1892 and later became an opera singer. Tyge was born in 1894 and became a painter and actor.
Peder Severin Krøyer - Sommerdag på Skagen Sønderstrand. Studie - 1884.png
A gift to Krøyer's friend and colleague, Willy Martens. The three boys in the water are also featured in Krøyer's much larger painting from 1884, now at the Hirschsprung Collection. See "Other versions".
Selvportræt, siddende ved staffeliet på Skagens strand.jpg
Christensen dates this painting to 1907, which is an error. The inscription says 1902, and it was exhibited in 1903.
Peder Severin Krøyer - Daphnis og Cloë - 1879.jpg
From the auction notes: Katrine Halkier, “Katalog. 1877–79 Paris og Bonnats atelier” in the exhibition catalogue “Krøyer i internationalt lys”, The Hirschsprung Collection & The Art Museums of Skagen, 2011, mentioned and ill. p. 169. Here, Halkier writes about the painting (in Danish): “When Krøyer came back to Paris after a long stay in Spain, Bonnat recommended that he ended his studies in Paris by painting a large classical composition to be shown at the upcoming Salon. Krøyer sought advice about his painting from his well-read friend and colleague, Karl Madsen. The latter had recently read the Greek poet Longus' classic shepherd's tale about Daphnis and Chloe and suggested this young couple in love as a motif for Krøyer. At the Salon in France the painting did not arouse much interest. The Danish audience, however, received the picture with greater goodwill. When the painting was exhibited in Copenhagen in 1879 in the Industrial Exhibition Building, a critic wrote about the exhibition in Ude og Hjemme on 27 July and highlighted Krøyer's Daphnis and Chloe as the ”Masterpiece“. The critic continued: ”In terms of spiritual content as well as the handling of the lines and in general the entire painterly execution, the work is one of the significant artist's very best“.
Krøyer had his debut as an exhibitor at the Salon in Paris in 1879 with the present painting, which was done during his student years with the French painter Léon Bonnat (1833–1922). “Daphnis and Chloe” by the Greek writer Longus (2nd century AD) is the love story between two foundlings who are both found and raised by shepherds. The painting is one of Krøyer's only attempts at the French salon style. He subsequently abandoned history painting and mythological scenes and instead turned his focus to the naturalistic plein-air painting that Krøyer is associated with today.
Marie krøyer p.s. krøyer.jpg
Painting by P.S. Krøyer of his wife Marie (born Marie Triepke). The painting was probably done in 1889 during their stay at Stenbjerg Kro in Thy - as part of their long and far-reaching honeymoon. Christensen dated it to 1890, but the Loeb Collection argue convincingly for 1889 on their homepage
Painting by P.S. Krøyer of his wife Marie (born Marie Triepke). The painting was probably done in 1889 during their stay at Stenbjerg Kro in Thy - as part of their long and far-reaching honeymoon. Christensen dated it to 1890, but the Loeb Collection argue convincingly for 1889 on their homepage
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Niels W. Gade (Krøyer).jpg
I lampens skær: Niels W. Gade portrætteret af P.S. Krøyer i 1882. (© www.hirschsprung.dk Photo Pernille Klemp)
I lampens skær: Niels W. Gade portrætteret af P.S. Krøyer i 1882. (© www.hirschsprung.dk Photo Pernille Klemp)
Peder Severin Krøyer - Tærskning i Abruzzerne. Studie - 1890.png
This is an oil study for the painting in Statens Museum for Kunst, also from 1890.
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Portrait of Holger Drachmann (P. S. Krøyer).jpg
Portræt af digteren Holger Drachmann i Skagens Plantage
Søstudie. Skagen.jpg
P.S. Kroeyer (1851-1909), Soestudie. Skagen, 1882
P.S. Kroeyer (1851-1909), Soestudie. Skagen, 1882
Fra Københavns børs skitse.jpg
Fra Københavns børs skitse, 49.53 X 80.01 cm, oil on canvas
Fra Københavns børs skitse, 49.53 X 80.01 cm, oil on canvas
Peder Severin Krøyer - Self-portrait at the easel.jpg
A Self-Portrait of the Artist, head and shoulders at his Easel
Portræt af Henrik Nikolai Krøyer.jpg
P.S. Kroeyer (1851-1909), Portraet af zoologen, professor H.N. Kroeyer, kunstnerens plejefader, 1868
P.S. Kroeyer (1851-1909), Portraet af zoologen, professor H.N. Kroeyer, kunstnerens plejefader, 1868
Peder Severin Krøyer - Professorinde Bertha Cecilie Krøyer - 1872.jpg
Mrs. Krøyer was the sister of the artist's mother, and she adopted Krøyer and officially gave him her surname in 1872.
Peder Severin Krøyer - Henrik Nikolaj Krøyer i sit arbejdsværelse - 1866.png
I 1866 - da P.S. Krøyer var 15 - fik han en malerkasse af sine plejeforældre, og han gik straks i gang med at arbejde. Dette maleri forestiller plejefaderen Henrik Nikolaj Krøyer, blandt bøgerne i sit arbejdsværelse.
Peder Severin Krøyer - Portræt af kunstnerens plejefar, professor, zoolog Henrik Nicolai Krøyer - 1872.png
The museum at Frederiksborg has a study for this work.
The professor had died in 1870, and the portrait draws heavily on Krøyer's 1866 portrait of him.
The professor had died in 1870, and the portrait draws heavily on Krøyer's 1866 portrait of him.
Marie Krøyer - Double portrait of Marie and P.S. Krøyer. The couple have portrayed one another - Google Art Project.jpg
The couple have portrayed one another
Peder Severin Krøyer - Overplantør C. F. Dahlerup med jagthund - 1898 - SKM429.jpg
This is one of eight known studies - seven mentioned by Christensen and one more appearing at an auction in 2000 - for Krøyer's 1898 painting Skagen Jægere (Hunters of Skagen).
Peder Severin Krøyer - Strandstudie med et par flyvende terner, i forgrunden en strimmel af sandet med fodspor. Let diset - 1892.png
This is one of three known studies for Krøyer's painting of his wife Marie at the beach (Christensen no. 499).
Peder Severin Krøyer - Smedemester Hans Pedersen, Hornbæk. Studie - 1873.png
This is a study for Krøyer's 1875 painting Fra Smedien in Hornbæk (From the Smithy of Hornbæk). Source: Peter Michael Hornung, Peder Severin Krøyer, page 40-41.
Messalina (Peder Severin Krøyer) - Gothenburg Museum of Art - GKM 0173.tif
(c) Göteborgs konstmuseum (Gothenburg Museum of Art). Photo: Hossein Sehatlou, CC BY 4.0
(c) Göteborgs konstmuseum (Gothenburg Museum of Art). Photo: Hossein Sehatlou, CC BY 4.0
Peder Severin Krøyer - Georg Brandes som Foredragsholder - 1902.png
Krøyer malede portrætter af Brandes i 1879, 1883, 1900 og 1902. Ingen af billederne var helt tilfredsstillende for begge aktører, og Hornung påpeger modellens "anselige forfængelighed". Krøyer havde sine egne reservationer omkring denne 1902-udgave: Saa, nu ligner du en fordrukken Svensker, der holder Bordtale. Kilde: Peter Michael Hornung, Peder Severin Krøyer, page 32.
Krøyer malede portrætter af Brandes i 1879, 1883, 1900 og 1902. Ingen af billederne var helt tilfredsstillende for begge aktører, og Hornung påpeger modellens "anselige forfængelighed". Krøyer havde sine egne reservationer omkring denne 1902-udgave: Saa, nu ligner du en fordrukken Svensker, der holder Bordtale. Kilde: Peter Michael Hornung, Peder Severin Krøyer, page 32.
P.S.-Krøyer, Frokost i Sora, 1880, NGM01570, Nasjonalmuseet for kunst, arkitektur og design.jpg
The painting shows four Norwegians in Italy (Krøyer was not yet a Danish citizen). The painting has a dedication to Mrs. Peterssen and it was Krøyer's first painting of friends seated around a table - a genre that almost became his own. To the left, Christian Meyer Ross, then Krøyer, Nicoline Peterssen and Eilif Peterssen. Source: Peter Michael Hornung: Peder Severin Krøyer, page 120.
Peder Severin Krøyer - Udsigt over Tage mod Havnegade og Nikolai Taarn - 1868.png
Michael Hornung describes this as not just a cityscape, but as Krøyer's first attempt to capture the light at a certain time of the day.
Michael Hornung describes this as not just a cityscape, but as Krøyer's first attempt to capture the light at a certain time of the day.
P.S Krøyer - En hvid båd i strandkanten - Lys sommeraften - 1895.jpg
P.S Krøyer - En hvid båd i strandkanten - Lys sommeraften - 1895
P.S Krøyer - En hvid båd i strandkanten - Lys sommeraften - 1895
Peder Severin Krøyer - Cellisten Franz Neruda. Sketch.png
This was a study for Krøyer's 1886 painting of musicians playing in his studio in Copenhagen. See "Other versions".
By the fireside, by P. S. Kroyer, with frame.jpg
Krøyer's emerging mental illness meant that this portrait took him around four years to complete.
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Skagens jægere (skitse).jpg
Skagens jægere (skitse). Kompositionsskitse til maleriet på AROS, Aarhus.
Skagens jægere (skitse). Kompositionsskitse til maleriet på AROS, Aarhus.
Peder Severin Krøyer - En lyshaaret Dreng. Portræt af Jens Drachmann - 1883.png
Jens Holger Drachmann (1880-1929) was the son of Emmy and Holger Drachmann. The experts at Bruun Rasmussen tell us that Krøyer painted the portrait in the summer of 1883, while Holger Drachmann was in Norway. Apparently, Jens was a very lively boy, and the story goes that Krøyer placed a stuffed seagull on a branch in the garden, and then had his friends converse it, to keep the boy's attention so Krøyer could paint him. Holger Drachmann was very pleased with the surprise painting, but when the couple split up, the children and the painting went with Emmy. She was later forced to sell it.
Peder Severin Krøyer - Fiskerbåd på Skagen Nordstrand. Studie - 1891.png
This is one of five known studies (Christensen 481-485) for Krøyer's 1891 painting En Gruppe Fiskere paa Skagens Nordstrand (A group of fishermen on the North beach of Skagen), Christensen no. 486.
Fiskere på Nordstranden en sommeraften.jpg
This is one of five known studies (Christensen 481-485) for Krøyer's 1891 painting En Gruppe Fiskere paa Skagens Nordstrand (A group of fishermen on the North beach of Skagen), Christensen no. 486.
Peder Severin Krøyer - A the victualler's when there is no fishing - Google Art Project.jpg
To the far left, the grocer and innkeeper Degn Brøndum is seen negotiating with a customer.
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Peder Severin Krøyer. Head of an Girl from Civita d'Antino in Regional Dress ("Catarinella"), 1890, MET, 2013.937.jpg
Forfatter/Opretter: P.S. Krøyer , Licens: CC0
Head of an Girl from Civita d'Antino in Regional Dress ("Catarinella"), Watercolor, over graphite
Forfatter/Opretter: P.S. Krøyer , Licens: CC0
Head of an Girl from Civita d'Antino in Regional Dress ("Catarinella"), Watercolor, over graphite
P. S. Krøyer - Interior from the asrtist's childhood home in Strandgade.webp
Interior from the asrtist's childhood home in Strandgade
Interior from the asrtist's childhood home in Strandgade
