Værker af P.S. Krøyer
Dette er en autogenereret liste over værker af P.S. Krøyer ud fra data i Wikidata.
Peder Severin Krøyer (født 23. juli 1851 i Stavanger; død 20. eller 21. november 1909 i Skagen) var en dansk maler – og en af de danske Skagensmalere. Han blev født i Norge, men voksede op hos sin moster i København. Onklen var den danske zoolog Henrik Nikolaj Krøyer.
Initialerne P.S. stod for Peder Severin; han blev kaldt Søren af sine venner. Krøyers signatur var ofte S K. Hans værker er blandt de dyreste danske malerier på auktion, adskillige har opnået priser over en million kroner.
Hvis et eller af flere af værkerne står med Q-nummer, er du mere end velkommen til at tilføje værkets danske titel på Wikidata.
Denne liste bliver periodisk opdateret af en bot. Manuelle ændringer ved listen bliver fjernet ved næste opdatering!
Referencer
- ^ Navne med kursiv linker til Wikidata
Medier brugt på denne side
Watercolour by the Norwegian-born Danish artist P.S. Krøyer titled Marie og Vibeke hæklende i hjemmet ved Skagen Plantage (Marie and Vibeke embroidering in our home in Skagen Plantage).
Study for Hip hip hurra!
Forfatter/Opretter: P.S. Krøyer, Licens: CC0
(c) Göteborgs konstmuseum (Gothenburg Museum of Art). Photo: Hossein Sehatlou, CC BY 4.0
"Industriens Mænd" (The Men of Industry), painting by P.S Krøyer commissioned by Gustav Adolph Hagemann. Since 1958 in the collections of Frederiksborg Museum.
Skagens Jægere. I billedets nederste venstre hjørne står der: “Til Dahlerup fra Krøyer”
Forfatter/Opretter: P.S. Krøyer, Licens: CC0
P.S. Krøyer's painting of A meeting in the Royal Danish Academy of Sciences and Letters
Krøyer repeated this scene the following year in larger format (Christensen 346).
P.S. Kroeyer (1851-1909), Et sardineri i Concarneau, 1879
Painting by the Norwegian-born Danish artist P.S. Krøyer titled Ved frokostborder i Civita d'Antino (At the Lunch Table in Civita d'Antino). The scene at Kristian Zahrtmann's lodgings in Casa Cerroni includes (from left) Marie Krøyer, P.S. Krøyer, the young painter Henry Lørup, an Italian waitress, Zahrtmann and the painter Peter Tom-Petersen. (Source: Peter Michael Hornung, Peder Severin Krøyer, 2005, page 240.
Krøyer repeated this view (from his window) in different weather settings.
Marie in the garden at Skagen (1892) Oil on panel
Skagens jægere Studie
Skuespillerinde ved det kgl. Teater Fru Emma Thomsen i kostume (Actress at the Royal Danish Theatre Emma Thomsen in costume), painting by by P.S. Krøyer, oil on canvas< 74 x 48 cm
A portrait study of Theodor Wessel and Emill Vett by P. S. Krøyer for his monumental oil on canvas painting Fra Københavns Børs. Oil on canvas. 132 x 93 cm. Owner: Magasin du Nord Fonden.
Michael Ancher vender hjem fra jagten - forstudie til et større billede, der er i privateje
Aftenselskab. To staaende Figurer. Carl Jacobsen og A. P. Weis , 1888
She was Krøyer's biological mother, but her mental instability prevented her from raising him, so her sister's family in Copenhagen took him in.
Forfatter/Opretter: P.S. Krøyer, Licens: No restrictions
Identifier: internationalstu10newy08 (find matches)
Title: International Studio an Illustrated Magazine of Fine and Applied Art
Year: 1908 (1900s)
The painting is from 1901
Authors:
Subjects:
Publisher: New York. John Lane Co
Contributing Library: Brigham Young University-Idaho, David O. McKay Library
Digitizing Sponsor: Brigham Young University-Idaho
View Book Page: Book Viewer
About This Book: Catalog Entry
View All Images: All Images From Book
Click here to view book online to see this illustration in context in a browseable online version of this book.
Text Appearing Before Image:
before the Danish Society of Science isimbued with an almost solemn dignity. Thegrouping is excellent, the likenesses capital, thediffusion of the hght from the huge chandeliersdone with the utmost skill. Surely one rarelysees so many admirably individualised portraits onone canvas, in addition to which the bearing of thewhole picture is most complete and harmonious.This, perhaps, is one of Kroyers greatest gifts : thepower to endow a figure or a number of figureswith an unmistakable, a perfect individuality.Thus, in his picture (one of his best, I consider)of the committee of a French exhibition inCopenhagen, many of the likenesses are almostideal, and so full of life and verve that one feelsquite instinctively that it is an assembly of pro-minent Frenchmen. How easy and naturally ^. \ ■-■ iU ^M i 1 1 IP 1- ^^^^KTIW^ ■ MEM^^^^^K- i S \ ^tti 1 r <» P 1 ^ i 1 li3l-«i 1 1 ^H mi / i v^ V m A Jm i ^ ^^ ^ ^f • ^ * 1 ■ ^^^^ P* ^ fH^hHI THE TRADESMEN S BOOTH 34 BY P. S. KROYER
Text Appearing After Image:
Portrait of Bjørnstjerne Bjørnson by Peder Severin Krøyer p. S. Krdyer, Danish Painter they sit at the table, how illusionary the blendingof the double light, and what an indescribablefestivity pervades the entire scene ! Kroyer has perpetuated a number of interestinggatherings and functions, amongst them the crowdeddinner table at hospitable Aulestad, BjornstjerneBjornsons home on the Gaus Valley, and others.Mme. Bjornson did not exactly think it necessaryto display her ear-trumpet, but Kroyer, thinking itquite belonged to her, and that it would not quitebe she without it, insisted upon depicting her withit. From the same date hails the striking portraitof Bjornstjerne Bjornson, the great Norsemanstanding out like a chieftain against the picturesqueslopes that surround his home. Bjornson hasbeen painted times innumerable—five or six timesby von Lenbach, for instance—but Kroyers power-ful picture ranks high amongst them all. Although there have been no sudden revolu-tionary changes in Kr
Note About Images
This was Krøyer's view from his foster parents' appartment.
From the auction notes: Katrine Halkier, “Katalog. 1877–79 Paris og Bonnats atelier” in the exhibition catalogue “Krøyer i internationalt lys”, The Hirschsprung Collection & The Art Museums of Skagen, 2011, mentioned and ill. p. 169. Here, Halkier writes about the painting (in Danish): “When Krøyer came back to Paris after a long stay in Spain, Bonnat recommended that he ended his studies in Paris by painting a large classical composition to be shown at the upcoming Salon. Krøyer sought advice about his painting from his well-read friend and colleague, Karl Madsen. The latter had recently read the Greek poet Longus' classic shepherd's tale about Daphnis and Chloe and suggested this young couple in love as a motif for Krøyer. At the Salon in France the painting did not arouse much interest. The Danish audience, however, received the picture with greater goodwill. When the painting was exhibited in Copenhagen in 1879 in the Industrial Exhibition Building, a critic wrote about the exhibition in Ude og Hjemme on 27 July and highlighted Krøyer's Daphnis and Chloe as the ”Masterpiece“. The critic continued: ”In terms of spiritual content as well as the handling of the lines and in general the entire painterly execution, the work is one of the significant artist's very best“.
Krøyer had his debut as an exhibitor at the Salon in Paris in 1879 with the present painting, which was done during his student years with the French painter Léon Bonnat (1833–1922). “Daphnis and Chloe” by the Greek writer Longus (2nd century AD) is the love story between two foundlings who are both found and raised by shepherds. The painting is one of Krøyer's only attempts at the French salon style. He subsequently abandoned history painting and mythological scenes and instead turned his focus to the naturalistic plein-air painting that Krøyer is associated with today.Painting by P.S. Krøyer of his wife Marie (born Marie Triepke). The painting was probably done in 1889 during their stay at Stenbjerg Kro in Thy - as part of their long and far-reaching honeymoon. Christensen dated it to 1890, but the Loeb Collection argue convincingly for 1889 on their homepage
I lampens skær: Niels W. Gade portrætteret af P.S. Krøyer i 1882. (© www.hirschsprung.dk Photo Pernille Klemp)
P.S. Kroeyer (1851-1909), Soestudie. Skagen, 1882
Fra Københavns børs skitse, 49.53 X 80.01 cm, oil on canvas
P.S. Kroeyer (1851-1909), Portraet af zoologen, professor H.N. Kroeyer, kunstnerens plejefader, 1868
The professor had died in 1870, and the portrait draws heavily on Krøyer's 1866 portrait of him.
(c) Göteborgs konstmuseum (Gothenburg Museum of Art). Photo: Hossein Sehatlou, CC BY 4.0
Krøyer malede portrætter af Brandes i 1879, 1883, 1900 og 1902. Ingen af billederne var helt tilfredsstillende for begge aktører, og Hornung påpeger modellens "anselige forfængelighed". Krøyer havde sine egne reservationer omkring denne 1902-udgave: Saa, nu ligner du en fordrukken Svensker, der holder Bordtale. Kilde: Peter Michael Hornung, Peder Severin Krøyer, page 32.
Michael Hornung describes this as not just a cityscape, but as Krøyer's first attempt to capture the light at a certain time of the day.
P.S Krøyer - En hvid båd i strandkanten - Lys sommeraften - 1895
Skagens jægere (skitse). Kompositionsskitse til maleriet på AROS, Aarhus.
Forfatter/Opretter: P.S. Krøyer, Licens: CC0
Head of an Girl from Civita d'Antino in Regional Dress ("Catarinella"), Watercolor, over graphite
Interior from the asrtist's childhood home in Strandgade
P.S. Kroeyer (1851-1909), Professor of xoology Japetus Steenstrup, giving a talk, 1895. Study for Krøyer's painting from 1897 (Christensen 598)).