The Gulf Between
| The Gulf Between | |
|---|---|
 | |
| Overblik | |
| Genre | Dramafilm, stumfilm, dramedy  |
| Instrueret af | Wray Physioc |
| Manuskript af | Anthony Paul Kelly |
| Medvirkende | Grace Darmond, Niles Welch, Virginia Lee |
| Fotografering | Carl Gregory |
| Udgivelsesdato | 1917 |
| Oprindelsesland | USA |
| Links | |
| på IMDb | |
Information med symbolet  hentes fra Wikidata. | |
The Gulf Between er en amerikansk stumfilm fra 1917 af Wray Physioc.[1][2]
Medvirkende
- Grace Darmond som Marie.
- Niles Welch som Richard Farrell.
- Herbert Fortier som Robert Farrell.
- Charles Brandt som Flagg.
- Joseph Dailey som Cook.
Referencer
Eksterne henvisninger
- The Gulf Between på Internet Movie Database (engelsk)
- The Gulf Between hos American Film Institute (engelsk)
- The Gulf Between på The Movie Database (engelsk)
Medier brugt på denne side
The-gulf-between-surviving-cell.jpg
This is one of the few surviving film fragments from The Gulf Between (1917), the first Technicolor movie and the only one made to be publicly shown by the additive two-color method. The frame seen comes from an early experimental subtractive two-color printing test and only approximates the appearance of the image as it was originally projected. Each color frame began as a pair of frames of black-and-white film simultaneously photographed through red and blue-green filters in a special Technicolor movie camera. The frame pairs were on a single strip of film that ran through the camera at twice the normal rate. An ordinary black-and-white print was projected, also at twice the normal rate, using a special optical system that simultaneously projected each pair of frames through the appropriate color filters and superimposed them on the projection screen. In practice, maintaining acceptably good registration of the two images on the screen required constant attention by an expert, making the system commercially impractical. Subsequent two-color Technicolor films were issued as subtractive color prints with superimposed red and green dye images in each frame, eliminating the need for special projection equipment and unusual skills.
This is one of the few surviving film fragments from The Gulf Between (1917), the first Technicolor movie and the only one made to be publicly shown by the additive two-color method. The frame seen comes from an early experimental subtractive two-color printing test and only approximates the appearance of the image as it was originally projected. Each color frame began as a pair of frames of black-and-white film simultaneously photographed through red and blue-green filters in a special Technicolor movie camera. The frame pairs were on a single strip of film that ran through the camera at twice the normal rate. An ordinary black-and-white print was projected, also at twice the normal rate, using a special optical system that simultaneously projected each pair of frames through the appropriate color filters and superimposed them on the projection screen. In practice, maintaining acceptably good registration of the two images on the screen required constant attention by an expert, making the system commercially impractical. Subsequent two-color Technicolor films were issued as subtractive color prints with superimposed red and green dye images in each frame, eliminating the need for special projection equipment and unusual skills.