Robert Henri
| Robert Henri | |
|---|---|
 Robert Henri, ca. 1897 | |
| Personlig information | |
| Pseudonym | Cozad, Robert Henry  |
| Født | 24. juni 1865 Cincinnati, Ohio, USA |
| Død | 12. juli 1929 (64 år) New York City, New York, USA |
| Dødsårsag | Prostatakræft |
| Gravsted | Swan Point Cemetery |
| Ægtefælle | Marjorie Organ (fra 1908) |
| Uddannelse og virke | |
| Uddannelsessted | Pennsylvania Academy of the Fine Arts, Académie Julian |
| Elev af | Robert William Vonnoh, Thomas Pollock Anshutz, Thomas Hovenden, William Bouguereau |
| Medlem af | American Academy of Arts and Letters |
| Beskæftigelse | Kunstmaler |
| Deltog i | Armory Show |
| Arbejdssted | Philadelphia, Atlantic City, Santa Fe, New York City, Woodstock, Amsterdam, Paris, Volendam, Haarlem |
| Elever | Florence Dreyfous, Florence Howell Barkley, Edward Hopper, Josephine Hopper, A. S. Baylinson med flere |
| Kendte værker | The Laughing Boy (Jopie van Slouten), Den Irske pige |
| Genre | Portræt, landskabsmaleri, bylandskabsbillede, genremaleri, figur |
| Bevægelse | Realisme, Ashcan School |
Information med symbolet  hentes fra Wikidata. Kildehenvisninger foreligger sammesteds. | |
Robert Henri (født 24. juni 1865 i Cincinatti, død 12. juli 1929) var en amerikansk maler.
Henri uddannede sig i Paris i perioden 1888–1891, hvor han blev påvirket af den europæiske realistiske tradition, særskilt af Édouard Manet. Da han kom tilbage til hjembyen Philadelphia, var han overbevist om, at det var således kunstnerne burde male. Han havde et nært samarbejde med avistegnerne George Luks, Everett Shinn, John Sloan og William Glackens, og tilsammen udgjorde de kernen i kunstnersammenslutningen The Eight, og senere i Ashcan School.
Et af Henris hovedværker er West 57th Street, New York (1902, University Art Gallery, Yale). Han var også en dygtig portrætmaler. Han spillede en betydelig rolle som organisator og lærer ved modernismens gennembrud i USA.
Galleri
|
Kilder
- "Robert Henri". Store norske leksikon. Hentet 25. juni 2012.
Litteratur
- Brown, Milton W. (1955). American Painting from the Armory Show to the Depression. Princeton: Princeton University Press. OCLC 2310948.
- Leeds, Valerie Ann (1994). My People: The Portraits of Robert Henri. Orlando, FL: Orlando Museum of Art. ISBN 1-880699-03-6.
- Leeds, Valerie Ann (1998). Robert Henri in Santa Fe. New York: Gerald Peters Gallery. ISBN 0-935037-83-7.
- Leeds, Valerie Ann (2005). Robert Henri: The Painted Spirit. New York: Gerald Peters Gallery. ISBN 1-931717-15-X.
- Leeds, Valerie Ann; Stuhlman, Jonathan (2011). From New York to Corrymore: Robert Henri and Ireland. Charlotte, NC: Mint Museum of Art. ISBN 978-0-9762300-9-0.
- Leeds, Valerie Ann (2013). Spanish Sojourns: Robert Henri and the Spirit of Spain. Savannah, GA: Telfair Museums. ISBN 978-0-933075-20-7.
- Nicoll, Jessica F. (1995). The Allure of the Maine Coast: Robert Henri and His Circle, 1903-1918. Portland, ME: Portland Museum of Art. ISBN 0-916857-07-7.
- Perlman, Bennard, red. (1997). Revolutionaries of Realism: The Letters of John Sloan and Robert Henri. Princeton: Princeton University Press. ISBN 978-0691044132.
Eksterne henvisninger
- Værker af Robert Henri på Athenaeum Arkiveret 30. november 2020 hos Wayback Machine
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Medier brugt på denne side
1914, Henri, Robert, Mildred Clarke von Kienbusch.jpg
Robert Henri, American, 1865–1929
Robert Henri, American, 1865–1929
Mildred Clarke von Kienbusch, 1914 Oil on canvas 61 x 51 cm. (24 x 20 1/16 in.) frame: 81.4 × 71 × 7 cm (32 1/16 × 27 15/16 × 2 3/4 in.) Bequest of Carl Otto von Kienbusch, Class of 1906, for the Carl Otto von Kienbusch Jr. Memorial Collection y1977-26
Early in 1914, Mildred Clarke von Kienbusch and her husband, Carl Otto, attended a New York exhibition of paintings by The Eight, a group consisting of former newspaper illustrators like Robert Henri, its founder, who had come together in frustration over the perceived rarefied atmosphere at the National Academy of Design and its restrictive exhibition policies. Attracted to Henri’s grittily vital aesthetic, the young von Kienbusches looked him up in the telephone book. The eventual result was this portrait — characteristic of Henri’s work at the time in its subdued palette enlivened by splashes of bright color — which Carl, who subsequently became one of the Museum’s major benefactors, donated in memory of his wife..jpg)
Mary Agnes by Robert Henri (1865 - 1929).jpg
Mary Agnes
Mary Agnes
- painted in Dooagh in 1924
- 61 x 50.8 cm
- oil on canvas
- signed l.c. Rober Henri
- inscribed on the reverse Mary Agnes
Tam Gan Robert Henri 1914.jpeg
"Tam Gan," oil on canvas, by the American Ashcan school artist Robert Henri. Courtesy of the Albright-Knox Art Gallery.
"Tam Gan," oil on canvas, by the American Ashcan school artist Robert Henri. Courtesy of the Albright-Knox Art Gallery.
Gertrude Vanderbilt Whitney, Henri.jpg
Gertrude Vanderbilt Whitney, 1916, by Robert Henri.
Gertrude Vanderbilt Whitney, 1916, by Robert Henri.
Robert Cozad Henri the Beach Hat.JPG
"The Beach Hat" by Robert Cozad Henri, 1914, oil on canvas, The Detroit Institute of Arts
"The Beach Hat" by Robert Cozad Henri, 1914, oil on canvas, The Detroit Institute of Arts
The Blue Kimono, Robert Henri.jpg
The Blue Kimono, Robert Henri. New Orleans Museum of Art. 1909. 83 1/2 x 45 x 3 in., 77 x 37 in. Oil on canvas.
The Blue Kimono, Robert Henri. New Orleans Museum of Art. 1909. 83 1/2 x 45 x 3 in., 77 x 37 in. Oil on canvas.