Pavel Tjistjakov
| Pavel Tjistjakov | |
|---|---|
 Portræt af Pavel Tsjistjakov, produceret af Valentin Serov (1881 | |
| Personlig information | |
| Født | 5. juli 1832  Krasnokholmskij rajon, Tver oblast, Rusland |
| Død | 11. november 1919 (87 år) Pusjkin, Sankt Petersborg, Rusland |
| Gravsted | Kasanskoje kirkegård (Pusjkin) |
| Uddannelse og virke | |
| Uddannelsessted | Det kejserlige kunstakademi (til 1861) |
| Beskæftigelse | Kunstmaler |
| Fagområde | Malerkunst |
| Arbejdsgiver | Højere Kunstskole |
| Arbejdssted | Sankt Petersborg |
| Elever | Курінний Олександр Авакумович[1], Ivan Fjodorovitj Selesnjov, Alexander Fjodorowitj Hausch, Nikolaj Dmitrijevitj Kusnetsov |
| Genre | Portræt |
Information med symbolet  hentes fra Wikidata. Kildehenvisninger foreligger sammesteds. | |
Pavel Petrovitj Tjistjakov (russisk: Па́вел Петро́вич Чистяко́в, tr. Pável Petrovitj Tjistjakov; født 5. juli 1832 i Tver, død 11. november 1919 i Detskoje Selo) var en russisk maler.
Han underviste kunstklasser i forskellige dele af Europa, og havde fremragende studerende, som Viktor Vasnetsov, Mikhail Vrubel, Ilja Repin, Valentin Serov og Vasilij Súrikov russisk: Василий Иванович Суриков.
Tjistjakov udviklede en konstant kamp mod akademiske kunst, og spillede en vigtig rolle i udviklingen af realisme i russisk kunst fra anden halvdel af 1800-tallet.
Pavel Tjistjakov: Giovannina, siddende i vindueskarmen
Eksterne henvisninger
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Serov Chistyakov.jpg
The portrait is a study artwork, it was performed during Valentin Serov’s first year at Academy of Arts, where the young artist attended the course of Pavel Chistyakov.
Sometime in March 1881 Chistyakov settled on the place of a sitter and told pupils to draw his portrait in pencil. Several portraits were drawn the drawing by Valentin Serov was among them. It was positively appreciated contemporaries said that Serov managed to achieve the true, practically utmost likeness[1].
The portrait is a study artwork, it was performed during Valentin Serov’s first year at Academy of Arts, where the young artist attended the course of Pavel Chistyakov.
Sometime in March 1881 Chistyakov settled on the place of a sitter and told pupils to draw his portrait in pencil. Several portraits were drawn the drawing by Valentin Serov was among them. It was positively appreciated contemporaries said that Serov managed to achieve the true, practically utmost likeness[1].