Luca Pacioli
| Luca Pacioli | |
|---|---|
| |
| Personlig information | |
| Født | 1445  Sansepolcro |
| Død | 19. juni 1517 Sansepolcro |
| Uddannelse og virke | |
| Beskæftigelse | Universitetslærer, matematiker, økonom, opfinder, bogholder, franciskansk munk |
| Fagområde | Teologi, matematik |
| Arbejdsgiver | Sapienza - Università di Roma, Universitetet i Milano (1496), Universitetet i Perugia |
| Kendte værker | De Divina Proportione, Summa de arithmetica, Reglerne for dobbelte bogholderi |
Information med symbolet  hentes fra Wikidata. Kildehenvisninger foreligger sammesteds. | |
Luca Pacioli (født 1445, død 19. juni 1517), var en italiensk matematiker, søn af Bartolomo Pacioli.
Pacioli, der hørte til franciskanernes orden, var nær ven af Leonardo da Vinci. Han underviste i matematik ved forskellige af Italiens universiteter og gavnede samtidens matematikere ved i sit 1494 i Venedig trykte værk: Summa de Arithmetica, Geometria, Proportioni et Proportionalita at samle tidligere bekendt stof i ret betydeligt omfang. Synderlig original produktivitet har han ikke udfoldet, men han betragtes som opfinder af det dobbelte bogholderi. Pacioli har desuden 1497 beskrevet det gyldne snit i værket De Divina Proportione (trykt 1509), som Leonardo da Vinci skal have illustreret.
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Kilder
- Paciuolo, Luca i Salmonsens Konversationsleksikon (2. udgave, 1924)
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Medier brugt på denne side
Pacioli.jpg
It shows Pacioli standing behind a table and wearing the habit of a member of the Franciscan order. He draws a construction on a board, the edge of which bears the name Euclides. His left hand rests upon a page of an open book. This book may be his Summa de Arithmetica, Geometria, Proportioni et Proportionalità or a copy of Euclid. Upon the table rest the instruments of a mathematician: a sponge, a protractor, a pen, a case, a piece of chalk, and compasses. In the right corner of the table there is a dodecahedron resting upon a book bearing Pacioli's initials. An rhombicuboctahedron (a convex solid consisting of 18 squares and 8 triangles) suspends at the left of the painting. The identity of the young man at the right is uncertain, but one commentator recognizes the "eternal student" instructed by Pacioli. Some authors have also mentioned the possibility that the student is Dürer.
It shows Pacioli standing behind a table and wearing the habit of a member of the Franciscan order. He draws a construction on a board, the edge of which bears the name Euclides. His left hand rests upon a page of an open book. This book may be his Summa de Arithmetica, Geometria, Proportioni et Proportionalità or a copy of Euclid. Upon the table rest the instruments of a mathematician: a sponge, a protractor, a pen, a case, a piece of chalk, and compasses. In the right corner of the table there is a dodecahedron resting upon a book bearing Pacioli's initials. An rhombicuboctahedron (a convex solid consisting of 18 squares and 8 triangles) suspends at the left of the painting. The identity of the young man at the right is uncertain, but one commentator recognizes the "eternal student" instructed by Pacioli. Some authors have also mentioned the possibility that the student is Dürer.