Jesu dåb

Jesu dåb, malet af Guido Reni.

Jesu dåb står beskrevet i alle fire evangelier. Alle fire steder står der, at det var Johannes Døberen, som døbte Jesus i Jordanfloden. Da Jesus var blevet døbt, dalede Helligånden ned fra himlen som/ligesom/i legemlig skikkelse som en due. Samtidig hørtes der en røst fra himlen, der sagde: Dette er min elskede søn, i ham har jeg fundet velbehag (Mark kap.1 v. 11), og Du er min søn. I dig har jeg fundet velbehag (Luk kap.3 v.22)(Matt kap.3 v.17)[1].

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Open bible 01 01.svg
Forfatter/Opretter: unknown, Licens: CC0
Praising-hands.svg
Forfatter/Opretter: Original tiny raster by Bastique, vectorization work by Booyabazooka, Licens: CC BY-SA 3.0
Praying hands against quasi-stained-glass background.
Ary Scheffer - Christ Weeping Over Jerusalem - Walters 37111.jpg
Before enrolling in the École des Beaux-Arts, Scheffer studied with the neoclassically trained artist Pierre-Joseph Proudhon, whose mastery of the art of the past and high technical finish he emulated. He exhibited his first works at the age of 17 in the 1812 Salon in the so-called "juste-milieu" (in English, literally, middle path) tradition. Scheffer was attracted to romantic themes gleaned from contemporary authors such as Sir Walter Scott and Goethe. His meteoric rise in the art world drew instant critical acclaim and the acquaintance of such artists as Théodore Géricault, Eugène Delacroix, and Paul Delaroche.

This work was not seen until after Scheffer's death. He stopped exhibiting at the Salon altogether in 1846 and became increasingly preoccupied with religious imagery with a seriousness that reflects a pointed departure from his earlier, more anecdotal work. In this iconic image, he focuses on the solitary figure of Christ, who is weeping for the coming destruction of Jerusalem, as described by the Evangelist Luke in the New Testament (19:41): "As he came near and saw the city, he wept over it."