Cheryl Studer
| Cheryl Studer | |
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| Personlig information | |
| Født | 24. oktober 1955  Midland |
| Uddannelse og virke | |
| Uddannelsessted | Tennessee Universitet, Herbert Henry Dow High School |
| Beskæftigelse | Universitetslærer, sanger, operasanger |
| Arbejdsgiver | Hochschule für Musik Würzburg |
| Eksterne henvisninger | |
| Cheryl Studers hjemmeside | |
Information med symbolet  hentes fra Wikidata. Kildehenvisninger foreligger sammesteds. | |
Cheryl Studer (født 24. oktober 1955) er en amerikansk operasangerinde (sopran). Hun sang sin første store rolle som Violetta i La Traviata på Staatstheater Braunschweig i 1983. Hun fik sit internationale gennembrud i 1985 ved Bayreuth Festspillene i rollen som Elisabeth i Tannhäuser dirigeret af Giuseppe Sinopoli.
Hun har haft store roller i mange af de mest prestigefyldte operahuse i verden, bl.a. i Opéra de Paris (debut 1986 som Pamina i Tryllefløjten), San Francisco Opera (debut 1986 som Eva i Mestersangerne i Nürnberg), Royal Opera House, Covent Garden (debut 1987 som Elisabeth i Tannhäuser), La Scala (1987 i Don Giovanni), New York Metropolitan Opera (debut 1988 i Carmen) og Wiener Staatsoper (debut 1989 i Elektra).
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Medier brugt på denne side
Forfatter/Opretter: Eddy Seesing, Licens: CC BY 3.0
Cheryl Studer filmed at Bayerische Staatsoper München, performing in the operetta Die Fledermaus by Johan Strauss.
Amongst the sopranos Eddy Seesing investigated posture, pose and clothing as characterizations of professional profile. During the photo rehearsal each soprano is followed closely with a video camera, trying to isolate them. From these video recordings a fragment of each soprano is selected varying in length between 30 seconds and one minute. Seesing concentrated on the focal point of the drama, the soprano's: Expression, Mimicry, Facial distortions during vocal climaxes, Postures and Gesticulation.
To emphasize these elements slow motion is used - 10 times slower than the normal speed. The short pieces thus created are constantly repeated in a loop. Six video's are simultaneously projected onto the exhibition space's walls, one per soprano.
A sound fragment of every soprano each with a maximum duration of 3 minutes is played in the installation separate from the video images.